Threads That Connect

INTO THE LIGHT 2016
Threads that Connect

INTO THE LIGHT is a community process and event developed using art to explore ongoing recovery issues in the region, break down isolation and build connections. It began in 2011 in response to community needs following the 2009 Black Saturday Bush fires. Locals asked that the project be repeated, to continue a collective reflection, realising that community recovery is an ongoing and evolving process that takes time to unfold.
So for the past 4 years we have been engaging in a collective collaborative art project in the Whittlesea Township and surrounding areas, as part of a community recovery process.
Each September, members of bushfire affected communities from across the Kinglake Ranges parade together as a personal, public and collective ritual to welcome spring, reflect on the effect of enforced change in our lives, and look to their future, together.
Guided by a community committee of local people and artists, the theme changes each year to reflect communities’ unfolding issues rather than council boundaries or projected plans.
Working across municipal borders the process has involved workshops delivered in twelve schools throughout the Whittlesea, Nillumbik, Mitchel and Murrindindi shires and community workshops engaging individuals and groups of all ages and abilities.

Please Touch

 

During the installation of this work I had been determined to place the clay nests on the wall, as I had originally imagined them. But it just didn’t work.(I really did keep trying to make it work!!)
I finally allowed myself to listen to both the work, and my friends, whose advice I had asked for and placed all of the nests on the floor.

In the action of doing this, Paul Blackman and I discussed how lovely it was to hold them.

The clay nests have a warmth about them.

From this we decided to invite the audience to

Pick up a ceramic nest
And hold it in your hands

 Take a moment to feel its weight
Its shape, its purpose

 Then place it back in the space

Wherever you like…

I am very excited about this discovery. I love that the viewer is invited to engage with the work. That they can place themselves in it and experience it. I love that the gallery space and the work loses its preciousness; nests may get broken. (One did, but that one  fell off the wall in the set up!!) Mostly I love that the work could be experienced sensually and  kinaesthetically. It became about having an experience rather than about a concept.

Maybe its my dance and theatre background influencing my work, a desire to break down the fourth  wall…maybe its my community arts practice and a desire to connect with people, maybe it was easier to let the audience design the space…it was certainly interesting  and delightful to witness the flow of the nests through the space.

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